This jazz trumpet solo transcription by Clifford Brown is absolutely great. I transcribed this solo a f… Soloists often use Guide Tones as target notes or launch points.They’re all over on the strong beats in Payton’s solo. Modes So there. Nicholas Payton on Elvin and Comping: Share to Twitter Share to Facebook Share to Pinterest. And after hearing Nicholas’ playing on this track I knew I had to one day transcribe it. Log in to Reply Listen to Whoopin' Blues by Nicholas Payton, 891 Shazams, featuring on Nicholas Payton Essentials, and Nicholas Payton: Next Steps Apple Music playlists. I mark guide tones only when they are played on big beats, one and three. Naturally, it frustrates him when some kid (me) writes about his passion and clouds the message with poor vocabulary. I will sometimes circle alterations if I like how they are used over a particular chord or passage. That means the F natural on the and of 3 is an F#. This is not to minimize what the greats in the music did before him, but to build on it. There’s some deep insight that I wanted to share. 1-4 he repeats the rhythm while stepping down chromatically each repetition. A Grammy Award winner, he is from New Orleans, Louisiana. Needless to say, I hope you enjoy studying the solo as much as I enjoyed learning it myself. He says jazz, as we know it, is dead. Payton’s solo fits so gently in to the groove, he’s simply an extension of the rhythm section. I have always looked up to Payton, since getting in to this music. After reading his posts, I feel like I am beginning to “get it,” though I am not sure I could ever really “get it,” since so much of his point of view comes from a Black American perspective, something I could never fully understand. This jazz trumpet solo is so good it’s debatable whether or not Clifford Brown didn’t plan … His dominant chords are almost always altered to hell. The music he makes is always inspiring to me, and I’ll take in to consideration what he has to say about the state of jazz since, you know…he is the state of jazz. Should be B natural then C on the and of 3 and on beat 3. This is a nice Dexter Gordon tenor sax transcription over Blue Bossa by Kenny Dorham. December 1, ... Kenny Werner, Phil Woods, Clark Terry, Al Jarreau, Michel LeGrand, Nicholas Payton, Brian Blade, as well as Ray Brown, Sonny Fortune, Randy Brecker, Renee Rosnes, Johnny Mathis, Russell Malone, Joey DeFrancesco, and Dee Dee … That means the F natural on the and of 3 is an F#. (A Man After Midnight), Everything's Alright (reprise)-I Don't Know How to Love Him, Stu Cook (w/ Creedence Clearwater Revival) -, Tony Levin (w/ Kate Bush & Peter Gabriel) -, Joe Osborn (w/ The Mamas and the Papas) -. Minor changes going into a nice ii V7 I. In mm 51 Payton plays the #9, b9, b5, natural 9, all in the same measure. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. Dean Town Bass Transcription… This month I have for you the Dean Town Bass Transcription.This is an interpretation of Joe Dart’s bass line for the much-loved single. There are concert, bass clef, and Eb parts in PDF available above. Many of these transcriptions are ones that I've done for myself as part of my own study; others are transcriptions that my clients have generously given me permission to publish here. Also, if there's something that you'd like to have transcribed but don't see here, please contact me. Transcribing, and learning tunes and solos by ear has been how this art was learned since the beginning. I don’t think he would disagree that he’s very passionate about the subject, and has had to account for his words amongst many of his colleagues. Posted by Alex at 12:38 AM. In the analysis I marked the first Bb and drew a line to show where it finally resolves. Song's chords E, C, Am, Dm, G, A, ... You are notifying to Yalp's team this transcription has a lot of wrong chords. When the Saints Come Marching In is the 2nd song on First, Nicholas Payton checked the transcription out and let us know that he actually arpeggiates an E minor 7th chord (concert) on the second to last bar of the solo. Transcription of Kelly Jefferson’s Solo on Confirmation. There are some nice jazz licks that can be copied here. ... Johnny Smith - What's New Transcription; Simple theme. He plays a couple of Bbs, making you think he’ll resolve to the A. Nicholas Payton on Elvin and Comping: “Here’s the thing: The “Elvin thing” most drummers … (over an A7 chord, that is C# and G). Sorry, your blog cannot share posts by email. Nicholas Payton (born September 26, 1973) is an American trumpet player and multi-instrumentalist. Nick does such a wonderful job of picking an idea and developing it. This site is simply an extension of that. All that being said, I am, and many others are still trying to understand (some have just written it off) what Nicholas is saying about this music we all love and have spent our whole lives studying. Press Nicholas Payton Biography – 2020 Nicholas Payton Press Photo 1 Nicholas Payton Press Photo 2 Nicholas Payton Press Photo 3 Nicholas Payton Press Photo 4. GT = Guide Tone Super cool that he checked it out, we’re grateful that he’s cool with us posting his work. Anyways, I guess this site is somewhat of a “old ways meet the new” type thing. For instance, if the soloist plays Ab-F# over a G7 and resolves to G over the CMA7, that is CAT. Nicholas Payton - The Backward Step Lead Sheet From Into The Blue (2008) The Backward Step Lead Sheet Bb Lead Sheet. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. This interpretation is what Jim Cullum and New Orleans jazzman Nicholas Payton have in mind in their performance of this venerable rag, first copyrighted in 1911. He manipulates the time and feel as good as anyone, and knows just when to utilize the soulful side to his playing. Nicholas Payton recently posted his thoughts about comping on the drums over on his Instagram account. From [amazon asin=B000001E4R&text=Brownie: Homage to Clifford Brown&chan=default], releas… It just feels so good! Of course, Nicholas is at another level, but I’d like to think I’m on my way. This was one of my favorite albums in my middle and high-school years, and this track was a special treat; to hear three of my trumpet idles play back to back was inspiring. The groove is what first got me. It reminds me of what we used to call the “Summerville” sound back in Boston in the late 80s and early 90s. Mostly what sticks out to me is his sense of feel and time. Nicholas Payton, Roy Hargrove, and Wynton Marsalis’ solos on “The Three Trumpeteers” off of Payton’s 1998 album Payton’s Place". That is probably why I like this Nicholas Payton trumpet solo. Second, it seems as though my poor choice of words (i.e. In mm. My wife (girlfriend at the time) got it for me, and the first track that stuck out was this one. We'll review to fix it. For local jazz legend Nicholas Payton, the instrument represents the essence of the Crescent City. I meant that he has been talking about the state (or non-state) of jazz in a passionate manner. Nicholas Payton - The Backwards Step - trumpet Listen Nick Bisesi Groove Project - Uptown Strut - tenor (Goin' Home) Blue Bossa is a really fun jazz standard to improvise over. Download the Transcription: Bb, Eb, C, Bass Clef. Grammy Award-winning Nicholas Payton is a multi-instrumentalist, vocalist, composer, producer, arranger, essayist, and social … [amazon asin=B00123KEOQ&template=iframe image] Download the transcription: Concert, Bb, Eb, Bass Clef [audio: High Clip] Ahh, BeBop. This is a nice Dexter Gordon tenor sax transcription over Blue Bossa by Kenny Dorham. I analyzed the solo in the trumpet key (Bb), because that’s what I transcribed with and practice the solo in. Nicholas Payton uses a lot of skips with fourth patterns that sound like he is taking his trumpet solo outside. “Rant” does not accurately portray Payton’s recent blog posts on his website found here: http://nicholaspayton.wordpress.com/. CAT = Chromatic Approach Tone We appreciate your help. There are so many great figures for analysis in this solo. “12th Street Rag“ was a famous Tin Pan Alley hit well before 1920. Blue Bossa is a really fun jazz standard to improvise over. Just posted an updated version of the PDF to correct a mistake in the transcription (had two notes reversed in mm 25, 27 and 193, 195). When the soloist plays notes outside of a chord in anticipation of the next chord. Dexter also uses a lot of pentatonic licks and keeps the solo … Guide tones are thirds and sevenths in every chord. Trumpet giant Louis Armstrong recorded his tongue-in-cheek slow version in 1927. Nicholas Payton - EYE OF THE HURRICANE (Bb) from "Fingerpaintings" Freddie Hubbard - YOU'RE MY EVERYTHING (concert) from "Hub-Tones" Freddie Hubbard - YOU'RE MY EVERYTHING (Bb) from "Hub-Tones" Herbie Hancock - YOU'RE MY EVERYTHING from "Hub-Tones" Coleman Hawkins - BODY AND SOUL from "Body … Rant, by definition, means to “speak or write in an angry or violent manner.” That’s not fair to Nicholas, and it is not what I was trying to say. This Jazz trumpet solo of Nicholas Payton starts off nicely on the head with just guitar and trumpet. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. “Guide Tone Movement” is when the soloist resolves one guide tone to another. First, Nicholas Payton checked the transcription out and let us know that he actually arpeggiates an E minor 7th chord (concert) on the second to last bar of the solo. New Orleans-born trumpeter, keyboardist, singer, and composer Nicholas Payton is a dynamic performer, steeped in acoustic jazz and post-bop, whose music often finds him exploring genres beyond the confines of the jazz tradition.. Born in New Orleans in 1974, Payton grew up the son of Walter Payton, a well-known bassist on the … The groove is this really great double time feel that is real open in the drums and piano. Nicholas Payton. Please note that some of these transcriptions were completed over 10 years ago, so the quality of the notation and layout varies - although they are all as accurate as possible. There’s some deep insight that I wanted to share. In a wide-ranging conversation, the elder trumpeter discusses the music industry, and incorporating his own vocals and keyboard work into concerts and recordings. Download the Transcription: Bb, Eb, C, Bass Clef. I'm actively adding more transcriptions from my archive of literally thousands of songs; if you don't see what you're looking for, chances are I already have it but haven't posted it here yet. Super cool that he checked it out, we’re grateful that he’s cool with us posting his work. I got this disc when I was a freshman in college. GTM = Guide Tone Movement Gimme! Will I ever be able to play you? He brings several motives back during his solo, pulled from the beginning. When the Saints Come Marching In is the 2nd song on Nicholas Payton's 2nd release with Verve Release called "Gumbo Nouveau" Such a soulful solo and has so many tasty lines in it! If you see anything that needs to be fixed, please let me know. Minor changes going into a nice ii V7 I. Nicholas Payton recently posted his thoughts about comping on the drums over on his Instagram account. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. He gets close a couple of times, develops for about 6 bars, and then finally does resolve down the the A, the 5th of the one chord. Payton has gotten quite a bit of hate from friends, colleagues, and followers for his recent rants on jazz, some of them calling him the Charlie Sheen of Jazz.  Amongst all of the recent gigs Nicholas is playing, he’s also been active on both Twitter and Facebook. One of my favorite moments is the last 8 bars or so of this solo. Drummer George Coleman Jr. also chimed in with some great info. I will sometimes mark the scale mode the soloist is using if I like how it is used. You also need to have JavaScript enabled in your browser. ANT = Anticipation Guest Post by John Raymond: Miles Davis, Walkin’ (4 Versions), Transcription Applications and Techniques. A couple of flubs in there, but I'll let them stand - the fingering on this one can be a bit tricky. Gimme! This is a nice Dexter Gordon tenor sax transcription over Blue Bossa by Kenny Dorham. An example of a Chromatic Approach Tone is when the soloist surrounds the resolution note with half steps. Drummer George Coleman Jr. also chimed in with some great info. Post was not sent - check your email addresses! Long before Louis Armstrong came along, the trumpet and New Orleans were intertwined. “rant”) has caused the point of the second paragraph to become somewhat misconstrued. Minor changes going into a nice ii V7 I. Email This BlogThis! When The Saints Go Marching In chords by Nicholas Payton. If not, I'll be happy to transcribe it for you. Download the latest version here. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Nicholas Payton - A Touch Of Silver trumpet solo, from Payton's Place (1998) - Bb Instruments; Nicholas Payton - Sun Goddess trumpet solo, from Nick@Night (2000) - Bb Instruments; Nicholas Payton - You Stepped Out Of A Dream trumpet solo, from From This Moment (1994) - C Instruments Needless to say, he’s certainly opened the conversation, and it’s one we should all be having anyway. Blue Bossa is a really fun jazz standard to improvise over. There are a couple of sequencial moments that are worth noting, both in mm 11 and 12, and mm 15-18. He is also a prolific and provocative writer who comments on a multitude of subjects, including music, race, politics, and life in America. My transcription of Nicholas Payton's gorgeous solo on "You Stepped Out Of A Dream" from his 1995 album "From This Moment". Download the latest version, Nicholas Payton, You Stepped Out of a Dream, Elena Pinderhughes’ Solo on Letter to the Free – From Common Tiny Desk at the White House, Guest Post by Spencer Ritchie: Lewis Nash, Monk’s Dream, Guest Post By Ben DeVries: Roy Hargrove, I’m not so sure, Guest Post by Italo Sales: Wes Montgomery, Four on Six, Joshua Redman, Straight, No Chaser (pt 1). The first thing I noticed when I took some time to dig in was that they play with a double time feel, so it sounds like the chord changes go by at half speed. Link FNMUSICWEB's own Trumpeter Farnell Newton on a weekly series of performing transcriptions live! Still, we come from the same lineage, Nicholas and I. We’ve studied the same players, and sometimes, play the same music, whatever you’d like to call it, or not call it. Last month, trumpeter and composer Nicholas Payton had the U.S. premiere of his Black American Symphony with the Colorado Springs Philharmonic. Espresso Jazz Diy » Walkin’ Miles way…. I really like how it sounded. Dexter also […] Read the rest of this entry… (photo credit: Claus Willemer) Joy Spring, written by Clifford Brown and performed by Tom Harrell. Elegy For Williams Burroughs and Alan Ginsberg, Eric Clapton - Eric Clapton (1970) full album transcription (, The Doobie Brothers - The Captain and Me (1973) full album transcription (, Michael Blake - Calypso Minor full arrangement and sax solo, from Elevated (2000) -, Bill Chase - Open Up Wide trumpet solo, from Chase (1971) -, Miles Davis - It's Only A Paper Moon trumpet solo, from Dig (1951) -, Miles Davis - Straight, No Chaser trumpet solo, from Milestones (1958) -, Dave Douglas - Blue Heaven trumpet solo, from Soul On Soul (2000) -, Jon Faddis - Here's That Rainy Day trumpet solo, from Dizzy's Dream Band (1982) -, Freddie Hubbard - I Don't Wanna Lose You trumpet solo, from Bundle Of Joy (1977) -, Freddie Hubbard - The Things We Did Last Summer trumpet solo, from The Hub Of Hubbard (1970) -, Hugh Masekela - Grazing In The Grass trumpet solo, from The Promise Of A Future (1968) -, Lee Morgan - Since I Fell For You trumpet solo, from Candy (1957) -, Lee Morgan - All The Way trumpet solo, from Candy (1957) -, Nicholas Payton - A Touch Of Silver trumpet solo, from Payton's Place (1998) -, Nicholas Payton - Sun Goddess trumpet solo, from Nick@Night (2000) -, Nicholas Payton - You Stepped Out Of A Dream trumpet solo, from From This Moment (1994) -, Michael Blake - Calypso Minor full arrangement and tenor sax solo, from Elevated (2000) -, John Coltrane - Blue In Green tenor sax solo, from Kind Of Blue (1959)  -, John Coltrane - Trane's Slo Blues tenor sax solo, from Lush Life (1958) -, Charlie Parker - Moose The Mooch alto sax solo, from The Complete Dial Sessions (2004) -, Chris Potter - The Source tenor sax solo, from Gratitude (2001) -, Joshua Redman - Fait tenor sax melody & solo, from Moodswing (1993) -, Gimme! Nicholas Payton ‘Creating Culture’ By Marquis Hill with Phillip Lutz Trumpeter Marquis Hill interviews one of his key influences: Payton. Daahoud is a tough tune to solo over as well. I mark Guide Tones (3rds and 7ths) on every big beat (1 & 3). He often comments on the state of “jazz.” He claims he does not play “Jazz,” but he plays Black American Music. Clifford nails every chord change as usual. Dexter also […] Read the rest of this entry… Alterations For instance, in a ii V7 I in Cmaj, if the sololist moves from the seventh in G7 (F) to the third in CMA7 (E), that is guide tone movement. GT are often used as foundation, or jumping off points for the soloist to go in to more uncharted territory. FNMUSICWEB's own Trumpeter Farnell Newton on a weekly series of performing transcriptions live! Today’s post is a short and sweet Ben Webster solo over Duke Ellington’s rhythm changes tune “Cottontail.” Ben uses a fair amount of repetition to develop his ideas through the solo. 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